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Julia Roberts in Eat Pray Love (2010)

A married adult female realizes how unhappy her marriage actually is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a circular-the-world journeying to "f... Read all A wife realizes how unhappy her marriage really is, and that her life needs to become in a unlike direction. After a painful divorce, she takes off on a round-the-globe journey to "find herself". A wife realizes how unhappy her marriage really is, and that her life needs to become in a different direction. Afterwards a painful divorce, she takes off on a round-the-world journey to "detect herself".

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Roberts' stone-solid performance guides the film.

Eat Pray Love is non the highly-seasoned romantic one-act information technology'due south existence sold equally. It'due south a dark graphic symbol study of how someone loses themselves. Julia Roberts the queen of romantic comedies (another way to sell the film) is front end and heart every bit Liz, and she deserves a Best Actress nomination.

Roberts really brings Liz to life in both the enchanting ways and the dark ways. It's not the typical Julia Roberts operation y'all'd expect. The scene early on in the moving-picture show where she prays for the first time is chilling. What makes Roberts and then good is the fact she's a movie star, but a picture star with talent and range.

Javier Bardem and Richard Jenkins likewise play roles in the second and tertiary act. They both accept a magnetic connection with Roberts. Jenkins has and so much fun playing his colorful character. He'southward the old guy you desire to accept long talks with. His character has a surprising arc during the last minutes of India. Bardem'south Phillippe is charming, handsome, and emotional. Bardem even so creates another memorable character and a great supporting performance.

The story didn't sell me at first. As Liz feels confined, I felt confined and uncomfortable in the NYC scenes. They aren't bad, but a term I've used to describe this film before: night. Only, when she goes to Italian republic, lets go, and frees herself, I felt freed as well. From at that place until the credits gyre, the moving-picture show doesn't have that problem but it's a big problem. I personally hold the director at fault there. He could've smoothed it over.

The cinematography is gorgeous, Roberts is beautiful with support from two stand-out men. What more could ya inquire for? Be warned: this is a darker movie then the trailers may imply so it's not for everyone; 8.